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<channel>
	<title>EJAR</title>
	<link>https://ejar.site</link>
	<description>EJAR</description>
	<pubDate>Mon, 24 Feb 2025 14:26:05 +0000</pubDate>
	<generator>https://ejar.site</generator>
	<language>en</language>
	
		
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		<title>CORE MEMEBER</title>
				
		<link>https://ejar.site/CORE-MEMEBER</link>

		<pubDate>Mon, 24 Feb 2025 14:26:05 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/CORE-MEMEBER</guid>

		<description>CORE MEMBER
Ho Julvian

HO Julvian, born in 1988, is a dynamic and multifaceted professional with over a decade of experience in the visual arts sector, specializing in artistic &#38;amp; curatorial practices, creative project management, and educational initiatives. Holding a B.A. (Hons) and a Master’s degree in Visual Arts from the Academy of Visual Arts, Hong Kong Baptist University. Ho is an artist, curator and educator. Being the Co-founder and President of EJAR, he has a proven track record in establishing and managing art collective and art spaces, organizing impactful cultural events, he also initiates teaching methodologies in various educational institutions in Hong Kong, and fostering community engagement through diverse range of art disciplines. 

In his personal artistic practice, HO's drawings and paintings coherently experiment on formal and textual qualities with complex layering in order to study the materialities, spatialities, textures and gradations of depth, strokes and marks-making. In HO's expressions between abstract and figurative approaches, he invokes repetitiveness, improvisations and religious-like symbols as recurring elements with the concern of philosophical and cultural contexts to reflect spirituality, significance, possibilities and imageries of “Self” as the subject matter.

In the past 10+ years, such methodology has been actualised by HO progressively, extending his representations into the realms of sound-making, performance, installation and undefined expressions, etc. As both an individual creator and a member of the artist collective EJAR, he believes, embraces and aspires to bridging the fields of arts development, cultural concerns, public &#38;amp; community engagement, education, and creative work through diverse yet effective communication and outreach initiatives.

With grants and support by official organisations and private corporations, HO implements creative works and projects in Hong Kong, China, Japan, Australia, the United States, Portugal, Netherlands, Finland,etc.




Shek Po Kwan

Shek Po Kwan, born in Hong Kong in 1988, is a photographer and cultural catalyst whose career weaves local roots with global threads. Studed photography in KTVTC, After three formative years at the JOIN ART studio, he spent 2011–2014 at Fabrica Communication Research Centre in Italy, where he excelled as a photographer and consultant in the design department under Sam Baron and social campaign department under Erik Ravelo. There, he contributed to visually striking campaigns—likely including Benetton’s "Unhate" initiative—honing his ability to fuse photography with social impact.

Returning to Hong Kong, Shek established himself as a "Perception Sailor" and "Photon Observer," his photography reflecting a profound engagement with light and experience (shekpokwan.com) . In 2020, amid Hong Kong’s unrest, he conceived the Eastern Jade Art Renaissance (EJAR), inviting artists to co-found a collective aimed at cultural renewal. Inspired by jade’s symbolism and Fabrica’s free spirit with creative mind, Shek envisioned EJAR as a platform for dialogue and resilience, leveraging his global insights and collaborative instincts.



Gavin Yip

Yip Chun Kit, Gavin (b. 1988) is a Hong Kong-based visual artist and musician known for his oil paintings that explore the nuances of everyday life. Gavin graduated from the Academy of Visual Arts at Hong Kong Baptist University. As a painter, Gavin specializes in figurative oil painting, drawing inspiration from the events, people and situations of daily existence. His works capture emotional depth behind everyday moments, often address subtle relationships between his painting subjects and himself.

Gavin also serves as the guitarist for the Hong Kong-based band David Boring. Through both his art and music, Gavin continues to explore and express the complexities of human condition, carving a space for himself as a multidisciplinary artist. Gavin is also a founding member of EJAR.




Dino Rib

Dino Rib (a.k.a. Wong Lok Hin) was born and raised in Hong Kong. Dino graduated from the Faculty of Engineering at the Chinese University of Hong Kong and completed his Master’s Degree at the Academy of Visual Arts, Hong Kong Baptist University. He is an educator of art / media / cinema-related programmes at different institutions. As a media-based artist, he is concerned with performance, abstraction and visual representation in arts. Since 2020, he has started creative projects concerning Hong Kong History, related to how humans perceive / "make-sense of" / memorize reality and the coping mechanisms towards it. Dino is a founding member of EJAR.
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	<item>
		<title>EJAR  Artist-in-Residency Programme 2024/25 Featuring Artist: Leung Hoi Shun</title>
				
		<link>https://ejar.site/EJAR-Artist-in-Residency-Programme-2024-25-Featuring-Artist-Leung-Hoi</link>

		<pubDate>Thu, 21 Dec 2023 15:35:05 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/EJAR-Artist-in-Residency-Programme-2024-25-Featuring-Artist-Leung-Hoi</guid>

		<description>


	EJAR&#38;nbsp; Artist-in-Residency Programme 2024/25 Featuring Artist: LEUNG Hoi Shun

	︎



	Curated and Presented by EJAR
Venue Support by EJAR
Dec 2024 - Jan 2025

	This residency program fosters a variety of expressions and tensions, from physicality tomentality, interwoven with the designed and improvised body movement through the use ofsymbolic and physical bound constructed by emerging artist Leung Hoi Shun. During thethree-week residency, Shun has created a "two-sided heroic" character for herself toeliminate the daily unpleasantness she has been dealing with. The whole ironictransformative process manifests in performative actions and site-specific video installation,where her bodily expressions serve as a powerful commentary on the complexity andirresistibility of her confrontation in everyday's challenges.
The formulated constructive installation plays as the vestige where the room is calminglyempty, yet one can experience the unspeakable sense of suppression and powerlessness.The artist’s body, as the carrier, has always borne the brunt of cruelty and mercilessness asinevitable rebound — sometimes entertaining, sometimes self-destructive, sometimesreflective, and most of the time contradictory. From the video, we see the artist's intention ofbalancing her binary opposition through bodily expression: spontaneity out of the regulatedcontext represents a gesture of resistance; repetitive movement as motif and as obscuresymbol can only be associated under the artist's personal subtle framework. The everyday'schallenges of the artist's situation might not necessarily be described or shared accurately,yet fear and feeling of uncomfortability could be universal to all of us.
Look.


In this space:


Objects for the fragmented testimony,


fragments misplaced.


Bodies perform what words cannot.


Screens flicker with what once was.


*


"Look, Vanilla" Noir says.


"Look, Noir" Vanilla says.


Noir knows that Vanilla hates that color, hates that flag.


Vanilla knows that Noir likes that window, likes that shadow.


*


Alter-ego without Freud’s shadow,


a phantom twin, simple dialectics akin.


Liberation becomes weight —


the mask that conceals ( ),


the mask that binds ( ).


*


"Why did you lift yourself up, Noir?"


"And why did you choke yourself up, Vanilla?"


*


Sartre’s No Exit:


No door besides the promised ones,


no escape from the circular mirror.


The gaze ricochets:


I see


you see


me seeing you.


*


"I see you Noir"


"I see you Vanilla"


"You see me Noir"





"You see me Vanilla"


*


Submission as mere choreography.


Don’t think, just


*


"Look, Vanilla"


"Look, Noir"


At the skin of things.


At the way we are permitted to see.


At the absence left behind.


And fill up the bubbles


that had already exploded


with whatever untold.


*


"Thank you for looking, Noir"


"Thank you for looking, Vanilla"


Thank you for being here.








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		<title>EJAR  Artist-in-Residency Programme 2024/25 Featuring Artist:  David CHAN Kam Lun</title>
				
		<link>https://ejar.site/EJAR-Artist-in-Residency-Programme-2024-25-Featuring-Artist-David</link>

		<pubDate>Thu, 20 Feb 2025 14:04:40 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/EJAR-Artist-in-Residency-Programme-2024-25-Featuring-Artist-David</guid>

		<description>


	EJAR&#38;nbsp; Artist-in-Residency Programme 2024/25
Featuring Artist:
 David CHAN Kam Lun
	︎



	Curated &#38;nbsp;and Presented by EJAR
Venue Support by EJAR
Oct - Nov 2024

	This residency program fosters a variety of sense-making pathways for the artifacts created byto-be-graduated* artist David CHAN Kam Lun. During the four-week residency at EJAR, Davidhas been exploring the contours of found objects, reshaping them through his unique texturalperception. The organic, hand-built sculptural forms and distorted, symbol-like patterns whichmostly created at the venue, represent a reimagined expression of his unconsciousinterpretation.
At this stage of his dynamic artistic productivity, it may be more relevant and engaging toappreciate the forms as a self-contained, often self-referenced system of symbols, and we valuetheir impactful physicality more than attempting to decipher their conceptual intentions. EnteringDavid's working scene is akin to embarking on an experiential journey through an unclassifiedancient monument or a testament to his own burgeoning civilization. The wall paintings adornedwith symbols provoke a totemic association, along with the archaeological-like spatial layoutfeaturing half-organic / half-manmade objects, evoke themes of humanity, religiousness,spirituality, ritual, and the occult. These elements could serve as entry points and perspectivesfor engaging with the artist's inner thoughts, inviting our further exploration and definition.
* The artist has not yet graduated due to an unaccomplished Putonghua course required by theuniversity. He is expected to graduate in summer of 2025.







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	<item>
		<title>EJAR x HKAS Artist-in-Residency Programme 2024/25: DOWNSIDE UP OUTSIDE IN copy</title>
				
		<link>https://ejar.site/EJAR-x-HKAS-Artist-in-Residency-Programme-2024-25-DOWNSIDE-UP-OUTSIDE</link>

		<pubDate>Thu, 20 Feb 2025 14:04:32 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/EJAR-x-HKAS-Artist-in-Residency-Programme-2024-25-DOWNSIDE-UP-OUTSIDE</guid>

		<description>


	EJAR x HKAS Artist-in-Residency Programme 2024/25: DOWNSIDE UP OUTSIDE IN
	︎



	Curated by EJAR
Venue Support by EJAR
May - Jun 2024

	// DOWNSIDE UP, OUTSIDE IN: A Curatorial Statement

This exhibition, DOWNSIDE UP, OUTSIDE IN, takes as its starting point a world turned inside out, a reality where the familiar is rendered strange. 

The exhibition marks the 3rd artist-in-residency programme of EJAR, which showcases 6 artists’ works after a 3-week stay at the site. The exhibition offers a glimpse into the insights, efforts, research and fantasies that drive these artists in the form of installation, which provokes awareness towards the physicality of representation(s). It is an invitation to embrace the unfamiliar, to find solace in uncertainty, and to discover the profound connections that bind us, even as the world turns upside down.

The artists featured in DOWNSIDE UP, OUTSIDE IN embrace this flux. Their work invites us to engage in a fluxing contemplation, a space where the boundaries between "outside in" and "inside-out" dissolve.&#38;nbsp; Through their chosen mediums, they grapple with the hybrid intersections of uncertainty, physicality, reality, filiality, and religiosity. These themes, while seemingly disparate, are revealed to be subtly interconnected. The artists, through their individual practices, unearth unexpected connections and shared unsettledness. This shared space of creation fosters a sense of bonding, a platform for dialogue and understanding. 

We exist in a state of downside up all along, facing an unshakable impermanence that defies easy categorization. Yet such experience, rather than one of chaos, actually suggests an urge for a site of fertile exploration, an "upside-down of the upside-down", where rebellion itself is challenged.






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		<title>Weaving Wishes on A Spinning Wheel / With All Flatness (HKIPF, Oct - Nov 2023) copy</title>
				
		<link>https://ejar.site/Weaving-Wishes-on-A-Spinning-Wheel-With-All-Flatness-HKIPF-Oct-Nov</link>

		<pubDate>Thu, 20 Feb 2025 13:31:57 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/Weaving-Wishes-on-A-Spinning-Wheel-With-All-Flatness-HKIPF-Oct-Nov</guid>

		<description>


	HKIPF 2023 Satellite Exhibition:&#38;nbsp;Weaving Wishes on A Spinning Wheel /&#38;nbsp;With All Flatness
	︎



	Curated by HKIPF
Venue Support by EJAR

Oct - Nov 2023

	Within the invariable cycle of birth and death, we search ceaselessly in a world of symbols for meaning, as if to project that very meaning  unto ourselves, in hopes to negate the uncertainty in our existence. 

‘Weaving Wishes on A Spinning Wheel’ offers a glimpse into the mystery of life through intricate mythical symbols embodying countless tiny souls. The tarot deck lays bare the course of life in the past, present, and future, its readings a guide to the journey of artistic creation. The vortex of wheel of life layered with questions, with Atta and desire, continues to whirl…

生死迴環乃萬物定律。然而生存的不確定性激發我們尋覓各自人生喻意。從天堂到地獄，人類總愛命名事物付託釋義，人生自呱呱墜地就被許下承諾……

泰文「วงวาร」意指圓圈，試圖展現生命之奧妙，以神秘符號，徽示無盡弱小靈魂。塔羅之問揭示藝術家自身過去、當下、將來，其詩意與象徵交織，引導創作。生命之輪層層疊疊轉動，裝載著感召、慾望與疑惑……

Kamonlak Sukchai 
'Weaving Wishes on A Spinning Wheel'
12.10 – 5.11.2023

-------------------‘The world in peace, all things tranquil.’ While the concept of peace in our shared globe may not be realistic and achievable, @ffejc ‘With All Flatness’ is a creation that seeks tranquillity amid chaos, and a way out from these flat surfaces. In moments of respite, is it possible to recover from pain and trauma, to liberate and continue moving forward?

By removing the sole narration from the visual documentary, and through the common language of symbols, the artist wishes to curate a unique piece of artwork which the audience can resonate with to their own experiences in life.

世界的太平也許不是現實的概念，也不易被彰顯。鄭子峰所指向的《太平》，是指今刻紛擾中的平靜，他並試圖在這些「平面」中尋找逃離的缺口。在稍息之中，你能否從自我的傷痛和創傷中恢復過來，或解脫開來，繼續邁步前進？

藝術家去掉影像用以敘事的外殼，他希望策展出一件獨一無二的藝術形體，讓觀眾能夠透過一系列象徵，讓符碼在自身與觀者各自經驗碰撞下，建構彼此獨一無二的構句語調。

Jeff Cheng 鄭子峰 《With All Flatness 太平》
12.10 – 19.11.2023
Photo Coutesy by HKIPF







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</description>
		
	</item>
		
		
	<item>
		<title>2023 SEP-OCT : TROPIC TALES</title>
				
		<link>https://ejar.site/2023-SEP-OCT-TROPIC-TALES</link>

		<pubDate>Thu, 21 Dec 2023 15:40:48 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/2023-SEP-OCT-TROPIC-TALES</guid>

		<description>


	TROPIC TALES - Solo Exhibition by Wong Sze Chit
	︎



	Venue Support / Closing Performance by EJAR
Sep - Oct 2023

&#60;img width="1201" height="1600" width_o="1201" height_o="1600" data-src="https://freight.cargo.site/t/original/i/96b07f0c37585ed36bd1ea921df8ef7612b43c9da3e61ab620df28b2decf32ab/WhatsApp-Image-2023-10-30-at-22.31.12.jpeg" data-mid="200235068" border="0"  src="https://freight.cargo.site/w/1000/i/96b07f0c37585ed36bd1ea921df8ef7612b43c9da3e61ab620df28b2decf32ab/WhatsApp-Image-2023-10-30-at-22.31.12.jpeg" /&#62;
	“Strolling through the bustling streets of Hong Kong, everything in the cityscape is constantly undergoing changes. The only familiar constant is this unpredictable subtropical climate.”
In this series of paintings completed between autumn 2021 and summer 2023, the artist Wong Sze Chit draws inspiration from the ever-changing cultural elements encountered in his daily life, particularly drawn from his interests in video games, electronic music, literature and folk beliefs, then blends them into the atmosphere of the urban subtropical climate to create a series of works that burst with vitality.
In Wong's art world, everything has an anima, and even a current of air can possess a will. This natural reverence for nature and inner experience constructs the surrealist fantasy world in his art. Imbued with a childlike perspective, the series has a recurring theme —— the mythical figures from folk beliefs, such as dragons from the ocean and the phoenixes from the skies, serve as the sacred symbols of folklore with intimate emotional significance to the artist. In an era where ever-changing new cultures are permeating every aspect of life, the painter recreates the impressions of modernity by reimagining these unique myths.
With the bold brushstrokes and vibrant colors, Wong emphasizes an intuitive expression that presents a sense of graffiti-like immediacy, and a super-flat sense of space. In some paintings, the various elements collide and layer with each other, bringingforth a reminiscent of the overwhelming information flow in modern life. Through this, the paintings present an intriguing and meditative way of looking into the ephemeral real world.

「走在香港都市街頭，一切街景、建築物都不斷在經歷變化，唯一熟悉而恆常的是亞熱帶無常的氣候。」
這一系列於2021年秋天至2023年夏天之間完成的畫作中，黃思哲以日常風景和生活中接觸的、瞬息萬變的各種文化元素作為靈感，尤其取材自平時喜愛的 電玩、電子音樂、傳統信仰等元素，結合城市熱帶氣候的氛圍，創作一系列充滿跳躍感的作品。在他的作品中，萬物皆具有靈，一切皆由宇宙本源幻化而成，一道氣流都可以具有意志，這種自然生成的對大自然、內在經驗的追尋，構建起他所創造的超現實幻想世界。
黃思哲在作品中以童真的視角，主動積極地觀看世界。在一些作品中，各種看似互相矛盾的元素，在碰撞和層疊的過程中逐漸沉澱成和諧的畫面。運用大膽的 筆觸、明亮、碰撞的色彩，強調直覺的表達，呈現街頭塗鴉式的即時感及超扁平空間感。其中反覆出現的主題如民俗信仰中的神話，來自深海的龍、來自天空的鳳凰等，這些民俗神話的符號對他有著個人的情感意義。在強調感官刺激的現代文化席捲而來的年代，他透過不拘一格的符號構建獨特的世界，重塑對現代城市生活的印象。


https://www.instagram.com/tropictales.wsc







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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/edf3f81d5a1b12a0770001cf704377d2df4b783f21d2358879a56558c4bd3e17/IMG_8720.jpeg" data-mid="200260008" border="0"  src="https://freight.cargo.site/w/1000/i/edf3f81d5a1b12a0770001cf704377d2df4b783f21d2358879a56558c4bd3e17/IMG_8720.jpeg" /&#62;

Foto by Shek Po Kwan
</description>
		
	</item>
		
		
	<item>
		<title>Freespace Sonic Encounter (Jul 2023)</title>
				
		<link>https://ejar.site/Freespace-Sonic-Encounter-Jul-2023</link>

		<pubDate>Thu, 21 Dec 2023 15:34:05 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/Freespace-Sonic-Encounter-Jul-2023</guid>

		<description>


	Freespace -&#38;nbsp;Sonic Encounter
	︎



	EJAR as Media Artist / Musician

14 - 16 Jul 2023
	Sonic Encounter returns with over a dozen Hong Kong musicians from electronic, jazz and contemporary classical music backgrounds inviting audience to a weekend of sonic experience that challenges conventional musical concepts.
Artists come together in unexpected constellations for 30-minute, free-form, avant-garde encounters complemented with live visuals and lighting by on-site multimedia artists. 

Link:&#38;nbsp;https://www.westkowloon.hk/en/sonicencounter?tab=overview&#38;nbsp;







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</description>
		
	</item>
		
		
	<item>
		<title>2023 JUL : Barbie</title>
				
		<link>https://ejar.site/2023-JUL-Barbie</link>

		<pubDate>Thu, 21 Dec 2023 15:38:01 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/2023-JUL-Barbie</guid>

		<description>


	Barbie&#38;nbsp;
	︎



	Curated By Living Thing IncVenue / Technical Support by EJAR

28 Jul 2023

	Barbie once said, “Imagination, life is your creation!” Will your outfit reflect your unique style but also show awareness of the current trends with a spike of irony? Your inner Barbie or Ken can answer that! Let's enter the Barbie multiverse and embrace the thousand fragmented selves that we constantly recycle and dance the night away together this Saturday night!Artist featuredClara Wong @clara.bside &#124;Jennifer Yeung @jy_yilam &#124;Yves @msyves &#124;Ashley Wong @ashley.in.space &#124;Shek @shekarino.rockyoubaby &#124;Dino Rib &#124;



https://www.instagram.com/livingthing.inc



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</description>
		
	</item>
		
		
	<item>
		<title>Signal #1 (Feb - Aug 2023)</title>
				
		<link>https://ejar.site/Signal-1-Feb-Aug-2023</link>

		<pubDate>Thu, 21 Dec 2023 15:15:01 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/Signal-1-Feb-Aug-2023</guid>

		<description>


	SIGNAL#1
	︎



	
EJAR Artist-in-Residency Programme

Feb - Aug 2023
Signal #1 was a durational project with the following activities:1. Artist-in-Residency2. Exhibition3. Live Performance / Jamming Sessions4. Discussions &#38;amp; Public Artist Talks5. Zine / Artist Book

	Curatorial Text: Signal (as) a Belief&#38;nbsp;
(Excerpt)Foreword: On SignalOn Communication / “Jamming”On Collective / CollectivityOn Subjectivity / Individuality / Freedom / Responsibility


Foreword: On Signal
...

The witness of signal(s) suggested the presence of at least one transmitter and one receiver, even both ends are not to be seen.

The status of a signal / signals suggests the status of the channel of communication, a relationship, often a “common ground” agreed by both ends with a protocol.

Signals, over the time, accumulate as data (or garbage), stored as archive (or lost in time).

And when signals are sent from both ends, a relationship is established.

...
&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#124;&#124;

On Communication / “Jamming”

...
Artistic practice, as personal expression, as jamming, as communication...

On Collective / Collectivity

...

The self-actualisation of each members’ is fundamentally but also gradually achieved by the intimacy within the mature trust being built among the consistence flow of communication in a collective...


On Subjectivity / Individuality / Freedom / Responsibility&#38;nbsp;


...
Meanwhile...Collective is an reflective existence of individuals, an very intense reflective process of self-dialogue with detached third party’s perspective where daily functioning occasions will not easily allow the one to do...&#38;nbsp;

it is the context in which the reflections are being mirrored that matters. There is no distorted reflection, 

like a blind man couldn’t distort an elephant even if he can't see.







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	<item>
		<title>2022 NOV-DEC : OPEN CAMERA </title>
				
		<link>https://ejar.site/2022-NOV-DEC-OPEN-CAMERA</link>

		<pubDate>Thu, 21 Dec 2023 15:37:10 +0000</pubDate>

		<dc:creator>EJAR</dc:creator>

		<guid isPermaLink="true">https://ejar.site/2022-NOV-DEC-OPEN-CAMERA</guid>

		<description>


	&#38;lt;OPEN CAMERA&#38;gt; Solo Exhibition By Shek Po Kwan
	︎



	Venue Support by EJARNov - Dec 2022
&#60;img width="2669" height="4000" width_o="2669" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e2d8fb91239b2738cb343b2257af5c4d3d3346ce956cf48d64b5f5aebe56a64d/L1111102.jpg" data-mid="200244720" border="0"  src="https://freight.cargo.site/w/1000/i/e2d8fb91239b2738cb343b2257af5c4d3d3346ce956cf48d64b5f5aebe56a64d/L1111102.jpg" /&#62;


	Founder of EJAR &#124; RAGORA : Shek Po Kwanmade his debut foto solo show, it is about how he opens up the camera as a room, as his brain’s foto from inside out to share his vison, narrative and perspective through his snapshot fotos.



https://www.instagram.com/shekarino.rockyoubaby






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&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/faafd5e674b66941cc44b4bceda335d91b539c2f1b4bc30d62804bb6017fd182/L1033600.jpg" data-mid="200245501" border="0"  src="https://freight.cargo.site/w/1000/i/faafd5e674b66941cc44b4bceda335d91b539c2f1b4bc30d62804bb6017fd182/L1033600.jpg" /&#62;

Foto by Shek Po Kwan

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